Women always uncover the truth . . .
Three years and eleven months. That's how long Lizzie Wells has been banged up inside Holloway prison, serving time for a crime she didn’t commit.
Six months. That's how long it’s taken Lizzie to fall in love with her fellow inmate, Scar.
Now they are both finally free and, together, they are about to embark on a vengeful search to find those who framed Lizzie . . . and to make them pay.
THE BUSINESS MAN. THE COPPER. THE MADAM.
The first of two books for Avon/Harper Collins. The second - THE ALIBI - will be published in January. The second book is set in London and features a female crime reporter
Three years and eleven months. That's how long Lizzie Wells has been banged up inside Holloway prison, serving time for a crime she didn’t commit.
Six months. That's how long it’s taken Lizzie to fall in love with her fellow inmate, Scar.
Now they are both finally free and, together, they are about to embark on a vengeful search to find those who framed Lizzie . . . and to make them pay.
THE BUSINESS MAN. THE COPPER. THE MADAM.
The first of two books for Avon/Harper Collins. The second - THE ALIBI - will be published in January. The second book is set in London and features a female crime reporter
AUTHOR INTERVIEW
If
you could work with any other author, who would it be and why?
I’m
actually a huge fan of Jessie Keane. I like her hard hitting, gritty
novels and the way her characters really come to life on the pages.
Also, I was born and raised in South London and my working class
family were familiar with the local villains who ran the criminal
operations. I’m sure that if I worked with Jessie we could come up
with a few cracking yarns about the reprobates who inhabit the London
underworld
What
would be a typical working day for you? When and where do you write?
I have an
office at my home in Southampton but I actually can’t stand writing
in there. I much prefer going out to local coffee shops. I really
don’t mind the noise around me because I can tune it out once I get
going. Most mornings I walk into the town centre and spend a couple
of hours writing, drinking Americanos and scoffing cakes – and I
always write in longhand first. Then once I get home I’ll type it
into the computer.
What
is the hardest part of the writing for you?
Firstly
it’s coming up with the idea. That’s always the hardest part
because with so many books being published every year it’s very
hard to identify an original premise. Secondly it’s the title. This
is something I really struggle with because whenever I come up with
title I discover that one or more authors have beaten me to it.
Fortunately, there’s no copyright in titles, but it is nice to have
one that isn’t already out there.
When
and why did you first start writing?
I
first started writing while at school. At the age of fifteen I wrote
my first novel about thieves stealing a priceless painting from a
museum in Amsterdam. But quite honestly it was terrible and so I
never bothered to send it to a publisher. Maybe one day I’ll
resurrect the idea and turn it into a novel!
How
did you come up with the idea for your book?
I live in
Southampton where THE MADAM is set. One day in the local evening
newspaper I read about a prostitute who had been arrested in the
city. It gave birth to the idea of developing a story around a
prostitute. I started to think about how vulnerable prostitutes are
and from there I came up the character of Lizzie Wells, a prostitute
who is wrongly convicted of a crime she didn’t commit. She spends
almost four years in prison and on her release she sets out to get
revenge on the people who framed her.
Are
you a big reader? If so, what are you reading now?
I
do read an awful lot. Currently I’m reading the While my eyes were
closed, by Linda Green. Before that it was The Missing, by CL Taylor.
I enjoy reading crime novels and at the same time I like to see what
competition I’m up against. It’s a fact that THE MADAM will have
to compete against a lot of terrific, well-written books.
Do
you have any advice for other aspiring writers?
My
advice would be to keep at it no matter how many times you’re
knocked back. Being rejected by agents and publishers is part of the
process. And you should always remember that all views expressed are
subjective. What one agent or publisher dislikes another will think
is terrific. Just keep writing and with a bit of luck you’ll get
where you want to be.
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